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Category Archives: News & Current Events
October 26, 2017 by flyfishingportraits.com |
Great day again yesterday temps in the 50’s with sunny skies and no wind. 19 to the net still with more Bows than Browns (the opposite of last week). Another cobalt blue sky day ordered up. Still haven’t landed Brownzilla yet but 3 big boys broke me off yesterday.
October 21, 2017 by flyfishingportraits.com |
This week during the Fall Field Campaign in Yellowstone National Park fishing the headwaters of the Madison River, I had a chance to capture the best close up photos of migrating Rainbow and Brown Trout that I’ve ever taken. A good friend of mine (Jim Squyres) who fished with me on Thursday, asked me… T.O., now that you’ve had considerable practice in taking photos of fish, what were the variables that I took into account when focusing on taking the close up portraits?
Well, for what it’s worth… Here is the anatomy of an FFP photo shoot. And by the way, many of the variables that I’ve learned to manage can be applied to help anyone take better photos even with their cell phones. It just takes practice and lots of shots to become “on-demand quick” and consistent. Whereas I’ve never taken a photo course or had any coaching, It’s not that difficult if you are willing to experiment.
While I’ve always had a passion (borderline obsession) with fly fishing for spectacular game fish. My new passion is to capture/document/share with people the special visual experiences of fly fishing in remote scenic locations around the world. This all started when I caught my first fish at age 4 (a yellow perch on Lake Marie in Bedford Hills, NY). I remember it vividly with its bright contrasting colors of yellow on black. You might say that it left a lasting impression as I’m now up to 60 species of game fish that I’ve managed to capture close up portraits.
The many variables I’ve learned to manage while taking “Self-Portraits” on the fly:
- The setting… Identifying and then setting up a “field studio” in the vicinity of where you land your fish. In my case (at our secret spot), the studio is in a shallow channel along an island in the middle of the river. I’m ideally looking for “Gin-Clear” water about 2 to 3 inches deep with a textured river bottom (gravel) and some deep green vegetation. The water depth is important so that there is a constant flowing film of water over the body of the fish and the proper depth also allows the fish to “recover” from the battle with their gills staying submerged. The gravel, vegetation and flowing water also gives a moving wavy texture to the photo capturing the fish’s natural river environment. Sometimes I will include my landing net to add another element to show the fish “swimming out” and to manage positioning the fish without actually handling it with my hands.
- The fish… You ideally should have a superb subject that represents a unique specimen. I’m looking for size, intense spawning colors and a unique individual feature of the fish. Maybe one out of 10 fish will meet these criteria. This year, the Brown and Fall Spawning Rainbow trout migrating up the Madison River are the healthiest I’ve ever seen in 17 years of fishing in this location. Managing the fish when by yourself can be a challenge but if done properly, the fish will cooperate and stay relatively still while recovering in the water. Think Fish Whisperer here.
- The light and angle… If you can magically order-up a severe clear weather day with “cobalt blue” skies, the best light at this time of year is between 8:30 to 10:00 AM and 3:30 to 5:00 PM (now if you can only catch the best fish during these ideal windows of time – NOT easy). The angle of the light has to be relatively low to create a shadow of the pectoral fin on the body of the fish as well as prevent light reflecting off the scales of the fish – directly back into the camera lens. The low light angle also allows for the colors of the fish to be amplified with the natural light or when a flash is used (which I use most of the time – even during the daylight).
- The camera and lens… I have a Nikon D-800 camera with a variable telephoto lens that zooms from 28 mm to 300mm (f 1:3.5 to 5.6). The reason that I really prefer this lens is that it allows for maximum zoom (in for fish and out for landscape shots) with just one lens. I also have UV and Polarizing filters that allow me to adjust the lens angle to cut through the water’s glare and have a perfect “window-pane view” through the water. I virtually always use an automatic setting on the camera because the D-800 is rather large/heavy and trying to manage the settings of the camera with one hand while at the same time – managing the fish and other variables is just too challenging. I also like to position the fish (considering the light angle) so that the body has about a 30-degree angle across the photo’s landscape orientation. The focal point of the portrait (towards the leading edge of the fish) should allow for a gradual depth of field change that compliments the unique color features of the fish and the water’s texture. Finally, I often like to have the crisp focal point on the eye of the fish or the gill plate to give the impression that the fish is looking directly at the camera. The orientation and scale: My preference is an exaggerated landscape orientation that emphasizes any one of four body areas of the fish. These include the head and jaw, gill plate, the body scales, fins, and tail section. With each species and individual fish there is often a unique body element that can really make your photo. For Trout and Steelhead, it’s the intense colors of the gill plate. The exposure: I tend to slightly under expose all my photos -.3 because the fish’s scales often reflect the light back into the lens and whereas it’s easier to adjust the lighting up in post-production, it’s really difficult to do much with a photo that’s over exposed.
- Post-production work… I routinely use a simple photo editing software included in the Microsoft Windows program (Microsoft Photo Gallery). It allows me to edit a high volume of photos with minimal time. Because the Nikon D-800 features a 36-megapixel processing image, I can crop the photos at virtually any size and still have a high-quality photo. I usually shot in the highest quality JPEG image format for file management convenience and to quickly adjust for lighting-exposure, contrast, shadows, highlights, color saturation, and detail. If you follow these guidelines and take great original pictures, there is virtually no need to “photo-shop” the images. In fact, I have never used photoshop and only do minor editing of all my photos.
Final tip: Take care of your equipment if it’s not waterproof but remember, if you don’t take some calculated risks you will not be able to get really good shots. I have actually fallen into the river once while wading with my D-800 and have been ejected out of a boat in Alaska with my D-7000 (each time with my camera inside my Gortex shell). In both cases, the damage was relatively minor but my camera was toast until I could get it serviced by Nikon.
Now that I’ve outlined the variables I’ve learned to manage while taking “self-portraits,” attached are some of the best shots that I’ve ever taken because all the unique elements came together this week. I have another 7 days of fishing in the Park left for the season so the best is yet to come.
Enjoy and plan your trips.
PS: In my next post, I will discuss the elements I’ve learned to manage with taking scenic and panoramic photos.
October 16, 2017 by flyfishingportraits.com |
It was a special day yesterday as Dan Larson and I had the unique opportunity to float through and fish the Bear Trap Canyon section of the Lower Madison River. I also took “Drone Boy” up for a flight to capture a few photos from 325 feet above the river. This stretch of the river is famous for its three “class IV sections” that can range from challenging to dangerous (depending upon the relative water flow). Dan and I elected to get out of the raft at the most extreme section so that we could get some shots of our Guides running the rapids.
In spite of the crystal clear – Cobalt blue skies, it was risky business trying to control my DJI Mavic Pro drone in 20 MPH winds (that probably gusted to 30). On both of my flights inside the steep walls of the canyon, the drone lost touch with the controller and would not respond to my flight commands. The wind was so strong that the Drone interpreted the conditions as “an immediate obstacle threat” and it was all I could do to regain control of the quad.
Fortunately, I was finally able to control the elevation and when I dropped down to about 50 ft. in height above the river, I was able to maneuver behind a large Lodge Pole Pine. Once sheltered by the wind, I regained control and was able to land the craft on the rocky river bank. To the guide’s knowledge (based upon the simple fact that they are the only outfitter that has access to the canyon), I am the only person to attempt to fly a drone in this remote location.
The fishing was slow (Dan and I managed to net about 10 fish each) but the experience was extraordinary and I can’t wait to go back under more favorable weather conditions (CALM).
Enjoy and plan your trips.
PS: The best photo taken during the day was the panoramic picture taken by my i-phone of the “Kitchen Sink” rapids. Note how the camera’s processor interpreted the water flowing at a whitewater pace. It is uniquely textured with fish scales. 🙂
October 12, 2017 by flyfishingportraits.com |
While walking down to the new pond… I had the chance to shoot this panorama that in one photo captures the beautiful morning sunrise accented against the golden Autumn colors with a light dusting of fresh snow on the rails.
All I can say is… Plan your trips.
October 3, 2017 by flyfishingportraits.com |
The 2017 Fall Field Campaign kicked off with an intense four days of fishing in Daytona FL for a variety of species. After 10 months of mediocre fishing at best, I was seriously motivated to get back on the water. I mentioned to some of you that 2017 could be considered the worst angling season I’ve had since I was 4. I’ve just had bad timing, harsh weather, health issues and uncooperative fish.
Apparently, the single best Rehab to recover from hip replacement surgery (at six weeks post OP) is bobbing in a boat for 4 days and battling monster fish on light tackle. There were… great stress angles, constant balance adjustments, abrupt boat wake waves to anticipate and the challenge of maintaining a death grip on your fishing rod as the fish make unpredictable head-shaking/surging/screaming runs under the boat and against the ripping tide current. :-0
The weather was unstable with high heat/humidity, swirling winds, intermittent rain, thunderstorms, storm surge tides and the drainage of dirty freshwater runoff left over from the recent hurricanes. In other words… Just the way we like it because all the Rasta fair weather fisherman stayed home.
The best fish of the trip included a 12-pound Tripletail, 40-pound Redfish, a 50 pound Goliath Grouper and a 60-pound Tarpon. All totaled, we managed to land 12 migratory Reds mostly in the 30+ pound range. Many thanks to Austin Campbell and Billy Rotne for their efforts to find the fish under adverse conditions.
A note about Tarpon:
For those of you that have never done so, catching a Tarpon anytime is a special event especially on light tackle. To begin with, their entire head-mouth and gill plate is as hard as bone so achieving a secure hook-set is rare. When hooked, they immediately go airborne leaping, somersaulting and tail-walking across the water. If at that point they have not managed to throw the hook with their violent head shakes, they make screaming runs both towards and away from the boat so maintaining constant line pressure can be extremely difficult.
In the second phase of the battle, Tarpon typically go deep and try to use their “broom sized” tail to propel them with maximum leverage against the tidal current. The hardest thing to do at this point is to avoid breaking the rod on the boat gunnel as the fish dives back and forth under the boat and tries to wrap the line around the motor, hydraulic power poles and/or the anchor rope.
In the third phase (once under control – NOT), the angler is trying to break the fish’s will by wearing it out. The only problem is that Tarpon are anatomically equipped with a prehistoric air bladder (lung) that actually allows them to take a gulp of fresh air when on the surface and rid their muscles of the accumulated lactic acid build up (thus reviving them to keep fighting).
Eventually (if all goes as planned – NEVER), you can maneuver the fish alongside the boat (after about 6 attempts) to have your guide grab the beast with both hands by the lower jaw and hold on for dear life as the fish makes one more attempt to violently shake it’s head to get free. Now the fun starts because getting quality pictures of a Tarpon is next to impossible. Not only are they notoriously uncooperative but their huge armor-like scales reflect light similar to a mirror which wreaks havoc on the camera’s aperture settings. You have to take dozens of shots quickly to get just the right angle, focus and clear water film covering the length of the body.
This time, however, it all went perfectly for Billy and I as we managed to get great photos reviving the fish in the water before releasing it unharmed (discounting a sore lip and a lasting memory). In fact, the close-up photos we captured were the best I’ve ever managed to get from a perfect sized fish that was approximately 60 pounds.
Enjoy the photos and be sure to plan your trips. The Fall Field Campaign continues next week hunting the migratory Brown and Rainbow trout in Yellowstone National Park.
September 27, 2017 by flyfishingportraits.com |
Congrats to Jay Peck and his client who just landed the largest King Salmon ever to visit his net. At 45 Lbs it is also one of the largest ever landed on the Salmon River in Pulaski, NY. The beast ran-them around the meadow pool for over 20 minutes.
September 26, 2017 by flyfishingportraits.com |
Well, this just made my day. The IGFA is going to use a large inventory of my photos for marketing and membership drive purposes. This is a sample that was featured in their monthly newsletter for September. The fish portrait of the Steelhead was taken in 2013 on Little Sandy Creek in Hamlin NY. The angler was actually “The one and only” Rod Mergardt (our favorite coach).
More to follow.
June 29, 2017 by flyfishingportraits.com |
A little MT nature photography to make your week (cut me some slack as I can’t fish with my Hip damage, so I have to shoot something).
Evidently, Eddie has negotiated a deal with Momma Antelope and they are now co-habituating as close as 50 Ft. to our house. This would never happen with a Whitetail or Mule deer and it’s interesting to observe. Continue reading »
June 21, 2017 by flyfishingportraits.com |
A little MT nature photography to make your weekend.
It has been a great Scenic Nature week here in Bozeman that began Tuesday PM with an incredible cold-front storm that moved through the valley. We also had many more sightings of Momma Antelope with her baby fawn and several Elk just below our home.
Wednesday was the annual fishing day at Hyalite Reservoir for Blair Karasin, Jim Squyres and me to catch Yellowstone Cutthroat trout, Arctic Grayling and Brookies (which are the best eating species of trout).
Finally, our “stone-cold-killer” cat Earnie brought me a Father’s day present to make my weekend.
June 10, 2017 by flyfishingportraits.com |
A little nature photography to start your weekend.
It has been a great four days here in Bozeman that began Wednesday AM when we have had the privilege of seeing Momma Antelope drop a baby fawn just below our home.
Wednesday PM presented a great amplified sunset that allowed me to capture uncle Blair’s favorite deck chairs. Thursday PM produced a dark gray cold front move across the Gallatin valley. And finally, this morning at 5:40 a massive cold front wedge moved in that abruptly dropped temperatures to 39 degrees packed with wind gusts of 30 miles an hour.
More to follow and – Plan your trips!